I am somewhat surprised. I would have assumed he was more mainstream in his tastes.eumaas wrote:Totally forgot this:
"Brötzmann, the tenor sax player, one of the greatest alive."
- Bill Clinton, when asked by the Oxford American to name a musician people would be surprised he listened to.
Satch's Late Night (The Jazz Thread)
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Re: Satch's Late Night (The Jazz Thread)
”INDER LOCK THE THE KISS THREAD IVE REALISED IM A PRZE IDOOT” - Thomas Jefferson
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Re: Satch's Late Night (The Jazz Thread)
Yeah, that is surprising.Wolter wrote:I am somewhat surprised. I would have assumed he was more mainstream in his tastes.eumaas wrote:Totally forgot this:
"Brötzmann, the tenor sax player, one of the greatest alive."
- Bill Clinton, when asked by the Oxford American to name a musician people would be surprised he listened to.
Wiggle, wiggle, wiggle like a bowl of soup
Wiggle, wiggle, wiggle like a rolling hoop
Wiggle, wiggle, wiggle like a ton of lead
Wiggle - you can raise the dead
Pex Lives!
Wiggle, wiggle, wiggle like a rolling hoop
Wiggle, wiggle, wiggle like a ton of lead
Wiggle - you can raise the dead
Pex Lives!
Re: Satch's Late Night (The Jazz Thread)
William Parker Quartet - Petit Oiseau
I only really know Parker & Drake through their association with Brotzmann, so I was surprised when this disc turned out to be post-bop strongly reminiscent of the mature Lounge Lizards, Jarrett's American Quartet (with Redman, Haden, Motian), and ultimately a descendant of Ornette and Mingus, I suppose. Kory, I think you would like this one a lot--it's very inside-outside. Not so restructural or angular as Braxton's similar outings, it could conceivably fit on a mainstream festival bill.
I only really know Parker & Drake through their association with Brotzmann, so I was surprised when this disc turned out to be post-bop strongly reminiscent of the mature Lounge Lizards, Jarrett's American Quartet (with Redman, Haden, Motian), and ultimately a descendant of Ornette and Mingus, I suppose. Kory, I think you would like this one a lot--it's very inside-outside. Not so restructural or angular as Braxton's similar outings, it could conceivably fit on a mainstream festival bill.
I feel that there is a fascistic element, for example, in the Rolling Stones . . .
— Morton Feldman
I've studied the phenomenon of neo-provincialism in self-isolating online communities but this place takes the fucking cake.
— Clashy
— Morton Feldman
I've studied the phenomenon of neo-provincialism in self-isolating online communities but this place takes the fucking cake.
— Clashy
Re: Satch's Late Night (The Jazz Thread)
I feel that there is a fascistic element, for example, in the Rolling Stones . . .
— Morton Feldman
I've studied the phenomenon of neo-provincialism in self-isolating online communities but this place takes the fucking cake.
— Clashy
— Morton Feldman
I've studied the phenomenon of neo-provincialism in self-isolating online communities but this place takes the fucking cake.
— Clashy
Re: Satch's Late Night (The Jazz Thread)
Han Bennink:
I feel that there is a fascistic element, for example, in the Rolling Stones . . .
— Morton Feldman
I've studied the phenomenon of neo-provincialism in self-isolating online communities but this place takes the fucking cake.
— Clashy
— Morton Feldman
I've studied the phenomenon of neo-provincialism in self-isolating online communities but this place takes the fucking cake.
— Clashy
Re: Satch's Late Night (The Jazz Thread)
[youtube][/youtube]
Brotzmann, Schlippenbach (piano), Lovens (drums), and Kowald (bass) playing "Song of the United Front"--this is fucking awesome.
Brotzmann, Schlippenbach (piano), Lovens (drums), and Kowald (bass) playing "Song of the United Front"--this is fucking awesome.
I feel that there is a fascistic element, for example, in the Rolling Stones . . .
— Morton Feldman
I've studied the phenomenon of neo-provincialism in self-isolating online communities but this place takes the fucking cake.
— Clashy
— Morton Feldman
I've studied the phenomenon of neo-provincialism in self-isolating online communities but this place takes the fucking cake.
— Clashy
Re: Satch's Late Night (The Jazz Thread)
Nice, I'll check it out today at the store.eumaas wrote:William Parker Quartet - Petit Oiseau
I only really know Parker & Drake through their association with Brotzmann, so I was surprised when this disc turned out to be post-bop strongly reminiscent of the mature Lounge Lizards, Jarrett's American Quartet (with Redman, Haden, Motian), and ultimately a descendant of Ornette and Mingus, I suppose. Kory, I think you would like this one a lot--it's very inside-outside. Not so restructural or angular as Braxton's similar outings, it could conceivably fit on a mainstream festival bill.
"Suck our Earth dick, Martians!" —Doc
Re: Satch's Late Night (The Jazz Thread)
http://www.chriscomerradio.com/brotzm/brotzm5-10-05.htm
You guys gotta check out the track the dude plays at the end. It's awesome.
You guys gotta check out the track the dude plays at the end. It's awesome.
I feel that there is a fascistic element, for example, in the Rolling Stones . . .
— Morton Feldman
I've studied the phenomenon of neo-provincialism in self-isolating online communities but this place takes the fucking cake.
— Clashy
— Morton Feldman
I've studied the phenomenon of neo-provincialism in self-isolating online communities but this place takes the fucking cake.
— Clashy
Re: Satch's Late Night (The Jazz Thread)
Holy shit!
http://en.wikipedia.org/wiki/Evan_ParkerHe began to develop methods of rapidly layering harmonics and false notes to create dense contrapuntal weaves; these involved experiments with plastic reeds, circular breathing and rapid tonguing which initially were so intense that he would find blood dripping onto the floor from the saxophone.
I feel that there is a fascistic element, for example, in the Rolling Stones . . .
— Morton Feldman
I've studied the phenomenon of neo-provincialism in self-isolating online communities but this place takes the fucking cake.
— Clashy
— Morton Feldman
I've studied the phenomenon of neo-provincialism in self-isolating online communities but this place takes the fucking cake.
— Clashy
Re: Satch's Late Night (The Jazz Thread)
Yeah, this was pretty cool--I've introduced it to my hold stack.Kory wrote:Nice, I'll check it out today at the store.eumaas wrote:William Parker Quartet - Petit Oiseau
I only really know Parker & Drake through their association with Brotzmann, so I was surprised when this disc turned out to be post-bop strongly reminiscent of the mature Lounge Lizards, Jarrett's American Quartet (with Redman, Haden, Motian), and ultimately a descendant of Ornette and Mingus, I suppose. Kory, I think you would like this one a lot--it's very inside-outside. Not so restructural or angular as Braxton's similar outings, it could conceivably fit on a mainstream festival bill.
"Suck our Earth dick, Martians!" —Doc
Re: Satch's Late Night (The Jazz Thread)
I can't be the only one impressed by this level of badassery. Now, it's not quite as badassed as Colin Jerwood breaking his neck during a concert and keeping the fuck on, but it's still pretty badass.eumaas wrote:Holy shit!
http://en.wikipedia.org/wiki/Evan_ParkerHe began to develop methods of rapidly layering harmonics and false notes to create dense contrapuntal weaves; these involved experiments with plastic reeds, circular breathing and rapid tonguing which initially were so intense that he would find blood dripping onto the floor from the saxophone.
I feel that there is a fascistic element, for example, in the Rolling Stones . . .
— Morton Feldman
I've studied the phenomenon of neo-provincialism in self-isolating online communities but this place takes the fucking cake.
— Clashy
— Morton Feldman
I've studied the phenomenon of neo-provincialism in self-isolating online communities but this place takes the fucking cake.
— Clashy
- Wolter
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Re: Satch's Late Night (The Jazz Thread)
I'm pretty impressed.eumaas wrote:I can't be the only one impressed by this level of badassery. Now, it's not quite as badassed as Colin Jerwood breaking his neck during a concert and keeping the fuck on, but it's still pretty badass.eumaas wrote:Holy shit!
http://en.wikipedia.org/wiki/Evan_ParkerHe began to develop methods of rapidly layering harmonics and false notes to create dense contrapuntal weaves; these involved experiments with plastic reeds, circular breathing and rapid tonguing which initially were so intense that he would find blood dripping onto the floor from the saxophone.
”INDER LOCK THE THE KISS THREAD IVE REALISED IM A PRZE IDOOT” - Thomas Jefferson
"But the gorilla thinks otherwise!"
"But the gorilla thinks otherwise!"
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Re: Satch's Late Night (The Jazz Thread)
I'm gonna download some of his stuff just because of that anecdote. That is punk fucking rock.
"Put down the meth, boy." - TeddyB, 2013.
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Re: Satch's Late Night (The Jazz Thread)
Anytime someone plays music so hard it makes them bleed, I approve.
Wiggle, wiggle, wiggle like a bowl of soup
Wiggle, wiggle, wiggle like a rolling hoop
Wiggle, wiggle, wiggle like a ton of lead
Wiggle - you can raise the dead
Pex Lives!
Wiggle, wiggle, wiggle like a rolling hoop
Wiggle, wiggle, wiggle like a ton of lead
Wiggle - you can raise the dead
Pex Lives!
Re: Satch's Late Night (The Jazz Thread)
You should have seen my hardcore band. I was like a firehose of sanguinity.Flex wrote:Anytime someone plays music so hard it makes them bleed, I approve.
"Suck our Earth dick, Martians!" —Doc