I do a good enough impersonation of Paul singing that I should sit down one day and do a cover of Suzanne in his voice.Low Down Low wrote: ↑21 Aug 2023, 12:56pmYeah can't argue that, though i would say Paul's singing on the album with Galen is commendable in my book, he has made quite a lot of the limited range he was blessed with. Come to think of it, that would describe quite a few of my favourite artists, from Leonard Cohen to Richard Thompson to Ry Cooder. I think they all have limited ranges as vocalists but make it work, spectacularly so in the case of Cohen, I would say.JennyB wrote: ↑21 Aug 2023, 11:15amBut they nailed the limited range part!Low Down Low wrote: ↑18 Aug 2023, 10:41amWould you characterize Paul's singing voice as raspy? I wouldn't anyway, unlike Joe's. In fact, at least 80% of that would be equally, if not more, applicable to Joe. Bronze star for effort.
The Clash observations thread.
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Silent Majority
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Re: The Clash observations thread.
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Low Down Low
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Re: The Clash observations thread.
Do it! I do like the raspiness the late Leonard brought to it, but i can definitely hear Paul doing it and wondrously pulling it off.Silent Majority wrote: ↑21 Aug 2023, 1:08pmI do a good enough impersonation of Paul singing that I should sit down one day and do a cover of Suzanne in his voice.Low Down Low wrote: ↑21 Aug 2023, 12:56pmYeah can't argue that, though i would say Paul's singing on the album with Galen is commendable in my book, he has made quite a lot of the limited range he was blessed with. Come to think of it, that would describe quite a few of my favourite artists, from Leonard Cohen to Richard Thompson to Ry Cooder. I think they all have limited ranges as vocalists but make it work, spectacularly so in the case of Cohen, I would say.JennyB wrote: ↑21 Aug 2023, 11:15amBut they nailed the limited range part!Low Down Low wrote: ↑18 Aug 2023, 10:41amWould you characterize Paul's singing voice as raspy? I wouldn't anyway, unlike Joe's. In fact, at least 80% of that would be equally, if not more, applicable to Joe. Bronze star for effort.
Re: The Clash observations thread.
I assumed you meant this gem and was confused:Silent Majority wrote: ↑21 Aug 2023, 1:08pmI do a good enough impersonation of Paul singing that I should sit down one day and do a cover of Suzanne in his voice.Low Down Low wrote: ↑21 Aug 2023, 12:56pmYeah can't argue that, though i would say Paul's singing on the album with Galen is commendable in my book, he has made quite a lot of the limited range he was blessed with. Come to think of it, that would describe quite a few of my favourite artists, from Leonard Cohen to Richard Thompson to Ry Cooder. I think they all have limited ranges as vocalists but make it work, spectacularly so in the case of Cohen, I would say.JennyB wrote: ↑21 Aug 2023, 11:15amBut they nailed the limited range part!Low Down Low wrote: ↑18 Aug 2023, 10:41amWould you characterize Paul's singing voice as raspy? I wouldn't anyway, unlike Joe's. In fact, at least 80% of that would be equally, if not more, applicable to Joe. Bronze star for effort.
Look, you have to establish context for these things. And I maintain that unless you appreciate the Fall of Constantinople, the Great Fire of London, and Mickey Mantle's fatalist alcoholism, live Freddy makes no sense. If you want to half-ass it, fine, go call Simon Schama to do the appendix.
- Flex
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Re: The Clash observations thread.
I definitely want maj to cover this song in Paul's voicematedog wrote: ↑21 Aug 2023, 1:29pmI assumed you meant this gem and was confused:Silent Majority wrote: ↑21 Aug 2023, 1:08pmI do a good enough impersonation of Paul singing that I should sit down one day and do a cover of Suzanne in his voice.Low Down Low wrote: ↑21 Aug 2023, 12:56pmYeah can't argue that, though i would say Paul's singing on the album with Galen is commendable in my book, he has made quite a lot of the limited range he was blessed with. Come to think of it, that would describe quite a few of my favourite artists, from Leonard Cohen to Richard Thompson to Ry Cooder. I think they all have limited ranges as vocalists but make it work, spectacularly so in the case of Cohen, I would say.JennyB wrote: ↑21 Aug 2023, 11:15amBut they nailed the limited range part!Low Down Low wrote: ↑18 Aug 2023, 10:41amWould you characterize Paul's singing voice as raspy? I wouldn't anyway, unlike Joe's. In fact, at least 80% of that would be equally, if not more, applicable to Joe. Bronze star for effort.
Wiggle, wiggle, wiggle like a bowl of soup
Wiggle, wiggle, wiggle like a rolling hoop
Wiggle, wiggle, wiggle like a ton of lead
Wiggle - you can raise the dead
Pex Lives!
Wiggle, wiggle, wiggle like a rolling hoop
Wiggle, wiggle, wiggle like a ton of lead
Wiggle - you can raise the dead
Pex Lives!
Re: The Clash observations thread.
It would help shine a light on the eternal question: what if Paul Simonon covered Weezer?Flex wrote: ↑21 Aug 2023, 1:54pmI definitely want maj to cover this song in Paul's voicematedog wrote: ↑21 Aug 2023, 1:29pmI assumed you meant this gem and was confused:Silent Majority wrote: ↑21 Aug 2023, 1:08pmI do a good enough impersonation of Paul singing that I should sit down one day and do a cover of Suzanne in his voice.Low Down Low wrote: ↑21 Aug 2023, 12:56pmYeah can't argue that, though i would say Paul's singing on the album with Galen is commendable in my book, he has made quite a lot of the limited range he was blessed with. Come to think of it, that would describe quite a few of my favourite artists, from Leonard Cohen to Richard Thompson to Ry Cooder. I think they all have limited ranges as vocalists but make it work, spectacularly so in the case of Cohen, I would say.
Look, you have to establish context for these things. And I maintain that unless you appreciate the Fall of Constantinople, the Great Fire of London, and Mickey Mantle's fatalist alcoholism, live Freddy makes no sense. If you want to half-ass it, fine, go call Simon Schama to do the appendix.
- Flex
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Re: The Clash observations thread.
The public has a right to know!matedog wrote: ↑21 Aug 2023, 2:28pmIt would help shine a light on the eternal question: what if Paul Simonon covered Weezer?Flex wrote: ↑21 Aug 2023, 1:54pmI definitely want maj to cover this song in Paul's voicematedog wrote: ↑21 Aug 2023, 1:29pmI assumed you meant this gem and was confused:Silent Majority wrote: ↑21 Aug 2023, 1:08pmI do a good enough impersonation of Paul singing that I should sit down one day and do a cover of Suzanne in his voice.Low Down Low wrote: ↑21 Aug 2023, 12:56pm
Yeah can't argue that, though i would say Paul's singing on the album with Galen is commendable in my book, he has made quite a lot of the limited range he was blessed with. Come to think of it, that would describe quite a few of my favourite artists, from Leonard Cohen to Richard Thompson to Ry Cooder. I think they all have limited ranges as vocalists but make it work, spectacularly so in the case of Cohen, I would say.
Wiggle, wiggle, wiggle like a bowl of soup
Wiggle, wiggle, wiggle like a rolling hoop
Wiggle, wiggle, wiggle like a ton of lead
Wiggle - you can raise the dead
Pex Lives!
Wiggle, wiggle, wiggle like a rolling hoop
Wiggle, wiggle, wiggle like a ton of lead
Wiggle - you can raise the dead
Pex Lives!
- Dr. Medulla
- Atheistic Epileptic
- Posts: 116743
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- Location: Straight Banana, Idaho
Re: The Clash observations thread.
Flex wrote: ↑21 Aug 2023, 3:55pmThe public has a right to know!matedog wrote: ↑21 Aug 2023, 2:28pmIt would help shine a light on the eternal question: what if Paul Simonon covered Weezer?Flex wrote: ↑21 Aug 2023, 1:54pmI definitely want maj to cover this song in Paul's voicematedog wrote: ↑21 Aug 2023, 1:29pmI assumed you meant this gem and was confused:Silent Majority wrote: ↑21 Aug 2023, 1:08pm
I do a good enough impersonation of Paul singing that I should sit down one day and do a cover of Suzanne in his voice.
"Ain't no party like an S Club party!'" - Richard Nixon, Checkers Speech, abandoned early draft
Re: The Clash observations thread.
I actually really like Weezer, but god dammit, Hoy.matedog wrote: ↑21 Aug 2023, 1:29pmI assumed you meant this gem and was confused:Silent Majority wrote: ↑21 Aug 2023, 1:08pmI do a good enough impersonation of Paul singing that I should sit down one day and do a cover of Suzanne in his voice.Low Down Low wrote: ↑21 Aug 2023, 12:56pmYeah can't argue that, though i would say Paul's singing on the album with Galen is commendable in my book, he has made quite a lot of the limited range he was blessed with. Come to think of it, that would describe quite a few of my favourite artists, from Leonard Cohen to Richard Thompson to Ry Cooder. I think they all have limited ranges as vocalists but make it work, spectacularly so in the case of Cohen, I would say.JennyB wrote: ↑21 Aug 2023, 11:15amBut they nailed the limited range part!Low Down Low wrote: ↑18 Aug 2023, 10:41amWould you characterize Paul's singing voice as raspy? I wouldn't anyway, unlike Joe's. In fact, at least 80% of that would be equally, if not more, applicable to Joe. Bronze star for effort.
Got a Rake? Sure!
IMCT: Inane Middle-Class Twats - Dr. M
" *sigh* it's right when they throw the penis pump out the window." -Hoy
IMCT: Inane Middle-Class Twats - Dr. M
" *sigh* it's right when they throw the penis pump out the window." -Hoy
Re: The Clash observations thread.
Not sure if any of you already knew this but,
The White man music video from the don letts melody (or atleast the live footage)
is taken from
7th November 1977, Birmingham, Top Rank
The White man music video from the don letts melody (or atleast the live footage)
is taken from
7th November 1977, Birmingham, Top Rank
Re: The Clash observations thread.
Silent Majority wrote: ↑18 Aug 2023, 10:24amLast interaction with our future overlords:
What do Paul Simonons vocals sound like?
ChatGPT
Paul Simonon's vocals are characterized by a distinctive raspy quality that adds a raw and emotive element to his singing. His voice has a rugged and gritty texture that fits well with the punk and rock genres that The Clash were known for. While not traditionally known as a lead vocalist, Simonon's occasional lead vocal performances brought a unique flavor to The Clash's songs.
Here are some key characteristics of Paul Simonon's vocals:
Raspy Tone: Simonon's voice has a rough and raspy quality that can evoke a sense of urgency and intensity. This texture gives his vocals a gritty and lived-in quality that aligns with the rebellious spirit of punk music.
Expressive Emotion: Simonon's singing often carries a sense of emotion and conviction. His vocals can convey feelings of anger, frustration, or even vulnerability, depending on the song's context.
Limited Range: While Simonon's vocal range might not be as expansive as some professional singers, his voice has a unique character that works well within The Clash's energetic and passionate music.
Punk Aesthetic: Simonon's vocals align with the DIY ethos of punk music. His singing is more about conveying emotion and attitude rather than adhering to traditional notions of vocal technicality.
Occasional Lead Vocals: Paul Simonon took lead vocal duties on a few songs for The Clash, such as "Guns of Brixton" and "Look Here." These performances showcase his distinct vocal style and offer a contrast to the lead vocals of other band members like Joe Strummer and Mick Jones.
In summary, Paul Simonon's vocals are an integral part of The Clash's sonic identity. His raspy and emotive singing style contributed to the band's raw energy and rebellious attitude, making his occasional lead vocal performances stand out in the band's catalog.
This video may have been written by the same thing.
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Re: The Clash observations thread.
Raspberry Mick.Kory wrote: ↑03 Sep 2023, 12:13amSilent Majority wrote: ↑18 Aug 2023, 10:24amLast interaction with our future overlords:
What do Paul Simonons vocals sound like?
ChatGPT
Paul Simonon's vocals are characterized by a distinctive raspy quality that adds a raw and emotive element to his singing. His voice has a rugged and gritty texture that fits well with the punk and rock genres that The Clash were known for. While not traditionally known as a lead vocalist, Simonon's occasional lead vocal performances brought a unique flavor to The Clash's songs.
Here are some key characteristics of Paul Simonon's vocals:
Raspy Tone: Simonon's voice has a rough and raspy quality that can evoke a sense of urgency and intensity. This texture gives his vocals a gritty and lived-in quality that aligns with the rebellious spirit of punk music.
Expressive Emotion: Simonon's singing often carries a sense of emotion and conviction. His vocals can convey feelings of anger, frustration, or even vulnerability, depending on the song's context.
Limited Range: While Simonon's vocal range might not be as expansive as some professional singers, his voice has a unique character that works well within The Clash's energetic and passionate music.
Punk Aesthetic: Simonon's vocals align with the DIY ethos of punk music. His singing is more about conveying emotion and attitude rather than adhering to traditional notions of vocal technicality.
Occasional Lead Vocals: Paul Simonon took lead vocal duties on a few songs for The Clash, such as "Guns of Brixton" and "Look Here." These performances showcase his distinct vocal style and offer a contrast to the lead vocals of other band members like Joe Strummer and Mick Jones.
In summary, Paul Simonon's vocals are an integral part of The Clash's sonic identity. His raspy and emotive singing style contributed to the band's raw energy and rebellious attitude, making his occasional lead vocal performances stand out in the band's catalog.
This video may have been written by the same thing.
Forces have been looting
My humanity
Curfews have been curbing
The end of liberty
We're the flowers in the dustbin...
No fuchsias for you.
"Without the common people you're nothing"
Nos Sumus Una Familia
Re: The Clash observations thread.
The Mick you buy at a secondhand store.Marky Dread wrote: ↑03 Sep 2023, 6:34amRaspberry Mick.Kory wrote: ↑03 Sep 2023, 12:13amSilent Majority wrote: ↑18 Aug 2023, 10:24amLast interaction with our future overlords:
What do Paul Simonons vocals sound like?
ChatGPT
Paul Simonon's vocals are characterized by a distinctive raspy quality that adds a raw and emotive element to his singing. His voice has a rugged and gritty texture that fits well with the punk and rock genres that The Clash were known for. While not traditionally known as a lead vocalist, Simonon's occasional lead vocal performances brought a unique flavor to The Clash's songs.
Here are some key characteristics of Paul Simonon's vocals:
Raspy Tone: Simonon's voice has a rough and raspy quality that can evoke a sense of urgency and intensity. This texture gives his vocals a gritty and lived-in quality that aligns with the rebellious spirit of punk music.
Expressive Emotion: Simonon's singing often carries a sense of emotion and conviction. His vocals can convey feelings of anger, frustration, or even vulnerability, depending on the song's context.
Limited Range: While Simonon's vocal range might not be as expansive as some professional singers, his voice has a unique character that works well within The Clash's energetic and passionate music.
Punk Aesthetic: Simonon's vocals align with the DIY ethos of punk music. His singing is more about conveying emotion and attitude rather than adhering to traditional notions of vocal technicality.
Occasional Lead Vocals: Paul Simonon took lead vocal duties on a few songs for The Clash, such as "Guns of Brixton" and "Look Here." These performances showcase his distinct vocal style and offer a contrast to the lead vocals of other band members like Joe Strummer and Mick Jones.
In summary, Paul Simonon's vocals are an integral part of The Clash's sonic identity. His raspy and emotive singing style contributed to the band's raw energy and rebellious attitude, making his occasional lead vocal performances stand out in the band's catalog.
This video may have been written by the same thing.
Got a Rake? Sure!
IMCT: Inane Middle-Class Twats - Dr. M
" *sigh* it's right when they throw the penis pump out the window." -Hoy
IMCT: Inane Middle-Class Twats - Dr. M
" *sigh* it's right when they throw the penis pump out the window." -Hoy
- Dr. Medulla
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Re: The Clash observations thread.
:genuine snortlaugh:JennyB wrote: ↑05 Sep 2023, 9:08amThe Mick you buy at a secondhand store.Marky Dread wrote: ↑03 Sep 2023, 6:34amRaspberry Mick.Kory wrote: ↑03 Sep 2023, 12:13amSilent Majority wrote: ↑18 Aug 2023, 10:24amLast interaction with our future overlords:
What do Paul Simonons vocals sound like?
ChatGPT
Paul Simonon's vocals are characterized by a distinctive raspy quality that adds a raw and emotive element to his singing. His voice has a rugged and gritty texture that fits well with the punk and rock genres that The Clash were known for. While not traditionally known as a lead vocalist, Simonon's occasional lead vocal performances brought a unique flavor to The Clash's songs.
Here are some key characteristics of Paul Simonon's vocals:
Raspy Tone: Simonon's voice has a rough and raspy quality that can evoke a sense of urgency and intensity. This texture gives his vocals a gritty and lived-in quality that aligns with the rebellious spirit of punk music.
Expressive Emotion: Simonon's singing often carries a sense of emotion and conviction. His vocals can convey feelings of anger, frustration, or even vulnerability, depending on the song's context.
Limited Range: While Simonon's vocal range might not be as expansive as some professional singers, his voice has a unique character that works well within The Clash's energetic and passionate music.
Punk Aesthetic: Simonon's vocals align with the DIY ethos of punk music. His singing is more about conveying emotion and attitude rather than adhering to traditional notions of vocal technicality.
Occasional Lead Vocals: Paul Simonon took lead vocal duties on a few songs for The Clash, such as "Guns of Brixton" and "Look Here." These performances showcase his distinct vocal style and offer a contrast to the lead vocals of other band members like Joe Strummer and Mick Jones.
In summary, Paul Simonon's vocals are an integral part of The Clash's sonic identity. His raspy and emotive singing style contributed to the band's raw energy and rebellious attitude, making his occasional lead vocal performances stand out in the band's catalog.
This video may have been written by the same thing.
"Ain't no party like an S Club party!'" - Richard Nixon, Checkers Speech, abandoned early draft
- Marky Dread
- Messiah of the Milk Bar
- Posts: 59072
- Joined: 17 Jun 2008, 11:26am
Re: The Clash observations thread.
Marky sets it up. JB knocks 'em in.JennyB wrote: ↑05 Sep 2023, 9:08amThe Mick you buy at a secondhand store.Marky Dread wrote: ↑03 Sep 2023, 6:34amRaspberry Mick.Kory wrote: ↑03 Sep 2023, 12:13amSilent Majority wrote: ↑18 Aug 2023, 10:24amLast interaction with our future overlords:
What do Paul Simonons vocals sound like?
ChatGPT
Paul Simonon's vocals are characterized by a distinctive raspy quality that adds a raw and emotive element to his singing. His voice has a rugged and gritty texture that fits well with the punk and rock genres that The Clash were known for. While not traditionally known as a lead vocalist, Simonon's occasional lead vocal performances brought a unique flavor to The Clash's songs.
Here are some key characteristics of Paul Simonon's vocals:
Raspy Tone: Simonon's voice has a rough and raspy quality that can evoke a sense of urgency and intensity. This texture gives his vocals a gritty and lived-in quality that aligns with the rebellious spirit of punk music.
Expressive Emotion: Simonon's singing often carries a sense of emotion and conviction. His vocals can convey feelings of anger, frustration, or even vulnerability, depending on the song's context.
Limited Range: While Simonon's vocal range might not be as expansive as some professional singers, his voice has a unique character that works well within The Clash's energetic and passionate music.
Punk Aesthetic: Simonon's vocals align with the DIY ethos of punk music. His singing is more about conveying emotion and attitude rather than adhering to traditional notions of vocal technicality.
Occasional Lead Vocals: Paul Simonon took lead vocal duties on a few songs for The Clash, such as "Guns of Brixton" and "Look Here." These performances showcase his distinct vocal style and offer a contrast to the lead vocals of other band members like Joe Strummer and Mick Jones.
In summary, Paul Simonon's vocals are an integral part of The Clash's sonic identity. His raspy and emotive singing style contributed to the band's raw energy and rebellious attitude, making his occasional lead vocal performances stand out in the band's catalog.
This video may have been written by the same thing.
Forces have been looting
My humanity
Curfews have been curbing
The end of liberty
We're the flowers in the dustbin...
No fuchsias for you.
"Without the common people you're nothing"
Nos Sumus Una Familia
Re: The Clash observations thread.
That was a softball!Marky Dread wrote: ↑05 Sep 2023, 12:45pmMarky sets it up. JB knocks 'em in.JennyB wrote: ↑05 Sep 2023, 9:08amThe Mick you buy at a secondhand store.Marky Dread wrote: ↑03 Sep 2023, 6:34amRaspberry Mick.Kory wrote: ↑03 Sep 2023, 12:13amSilent Majority wrote: ↑18 Aug 2023, 10:24amLast interaction with our future overlords:
What do Paul Simonons vocals sound like?
ChatGPT
Paul Simonon's vocals are characterized by a distinctive raspy quality that adds a raw and emotive element to his singing. His voice has a rugged and gritty texture that fits well with the punk and rock genres that The Clash were known for. While not traditionally known as a lead vocalist, Simonon's occasional lead vocal performances brought a unique flavor to The Clash's songs.
Here are some key characteristics of Paul Simonon's vocals:
Raspy Tone: Simonon's voice has a rough and raspy quality that can evoke a sense of urgency and intensity. This texture gives his vocals a gritty and lived-in quality that aligns with the rebellious spirit of punk music.
Expressive Emotion: Simonon's singing often carries a sense of emotion and conviction. His vocals can convey feelings of anger, frustration, or even vulnerability, depending on the song's context.
Limited Range: While Simonon's vocal range might not be as expansive as some professional singers, his voice has a unique character that works well within The Clash's energetic and passionate music.
Punk Aesthetic: Simonon's vocals align with the DIY ethos of punk music. His singing is more about conveying emotion and attitude rather than adhering to traditional notions of vocal technicality.
Occasional Lead Vocals: Paul Simonon took lead vocal duties on a few songs for The Clash, such as "Guns of Brixton" and "Look Here." These performances showcase his distinct vocal style and offer a contrast to the lead vocals of other band members like Joe Strummer and Mick Jones.
In summary, Paul Simonon's vocals are an integral part of The Clash's sonic identity. His raspy and emotive singing style contributed to the band's raw energy and rebellious attitude, making his occasional lead vocal performances stand out in the band's catalog.
This video may have been written by the same thing.
Got a Rake? Sure!
IMCT: Inane Middle-Class Twats - Dr. M
" *sigh* it's right when they throw the penis pump out the window." -Hoy
IMCT: Inane Middle-Class Twats - Dr. M
" *sigh* it's right when they throw the penis pump out the window." -Hoy