The Clash observations thread.

[Silent Majority]

Would you characterize Paul's singing voice as raspy? I wouldn't anyway, unlike Joe's. In fact, at least 80% of that would be equally, if not more, applicable to Joe. Bronze star for effort.

But they nailed the limited range part!

Yeah can't argue that, though i would say Paul's singing on the album with Galen is commendable in my book, he has made quite a lot of the limited range he was blessed with. Come to think of it, that would describe quite a few of my favourite artists, from Leonard Cohen to Richard Thompson to Ry Cooder. I think they all have limited ranges as vocalists but make it work, spectacularly so in the case of Cohen, I would say.

I do a good enough impersonation of Paul singing that I should sit down one day and do a cover of Suzanne in his voice.

[Low Down Low]

Would you characterize Paul's singing voice as raspy? I wouldn't anyway, unlike Joe's. In fact, at least 80% of that would be equally, if not more, applicable to Joe. Bronze star for effort.

But they nailed the limited range part!

Yeah can't argue that, though i would say Paul's singing on the album with Galen is commendable in my book, he has made quite a lot of the limited range he was blessed with. Come to think of it, that would describe quite a few of my favourite artists, from Leonard Cohen to Richard Thompson to Ry Cooder. I think they all have limited ranges as vocalists but make it work, spectacularly so in the case of Cohen, I would say.

I do a good enough impersonation of Paul singing that I should sit down one day and do a cover of Suzanne in his voice.

Do it! I do like the raspiness the late Leonard brought to it, but i can definitely hear Paul doing it and wondrously pulling it off.

[matedog]

Would you characterize Paul's singing voice as raspy? I wouldn't anyway, unlike Joe's. In fact, at least 80% of that would be equally, if not more, applicable to Joe. Bronze star for effort.

But they nailed the limited range part!

Yeah can't argue that, though i would say Paul's singing on the album with Galen is commendable in my book, he has made quite a lot of the limited range he was blessed with. Come to think of it, that would describe quite a few of my favourite artists, from Leonard Cohen to Richard Thompson to Ry Cooder. I think they all have limited ranges as vocalists but make it work, spectacularly so in the case of Cohen, I would say.

I do a good enough impersonation of Paul singing that I should sit down one day and do a cover of Suzanne in his voice.

I assumed you meant this gem and was confused:

[Flex]

Would you characterize Paul's singing voice as raspy? I wouldn't anyway, unlike Joe's. In fact, at least 80% of that would be equally, if not more, applicable to Joe. Bronze star for effort.

But they nailed the limited range part!

Yeah can't argue that, though i would say Paul's singing on the album with Galen is commendable in my book, he has made quite a lot of the limited range he was blessed with. Come to think of it, that would describe quite a few of my favourite artists, from Leonard Cohen to Richard Thompson to Ry Cooder. I think they all have limited ranges as vocalists but make it work, spectacularly so in the case of Cohen, I would say.

I do a good enough impersonation of Paul singing that I should sit down one day and do a cover of Suzanne in his voice.

I assumed you meant this gem and was confused:

I definitely want maj to cover this song in Paul's voice

[matedog]

But they nailed the limited range part!

Yeah can't argue that, though i would say Paul's singing on the album with Galen is commendable in my book, he has made quite a lot of the limited range he was blessed with. Come to think of it, that would describe quite a few of my favourite artists, from Leonard Cohen to Richard Thompson to Ry Cooder. I think they all have limited ranges as vocalists but make it work, spectacularly so in the case of Cohen, I would say.

I do a good enough impersonation of Paul singing that I should sit down one day and do a cover of Suzanne in his voice.

I assumed you meant this gem and was confused:

I definitely want maj to cover this song in Paul's voice

It would help shine a light on the eternal question: what if Paul Simonon covered Weezer?

[Flex]

Yeah can't argue that, though i would say Paul's singing on the album with Galen is commendable in my book, he has made quite a lot of the limited range he was blessed with. Come to think of it, that would describe quite a few of my favourite artists, from Leonard Cohen to Richard Thompson to Ry Cooder. I think they all have limited ranges as vocalists but make it work, spectacularly so in the case of Cohen, I would say.

I do a good enough impersonation of Paul singing that I should sit down one day and do a cover of Suzanne in his voice.

I assumed you meant this gem and was confused:

I definitely want maj to cover this song in Paul's voice

It would help shine a light on the eternal question: what if Paul Simonon covered Weezer?

The public has a right to know!

[Dr. Medulla]

I do a good enough impersonation of Paul singing that I should sit down one day and do a cover of Suzanne in his voice.

I assumed you meant this gem and was confused:

I definitely want maj to cover this song in Paul's voice

It would help shine a light on the eternal question: what if Paul Simonon covered Weezer?

The public has a right to know!

[JennyB]

Would you characterize Paul's singing voice as raspy? I wouldn't anyway, unlike Joe's. In fact, at least 80% of that would be equally, if not more, applicable to Joe. Bronze star for effort.

But they nailed the limited range part!

Yeah can't argue that, though i would say Paul's singing on the album with Galen is commendable in my book, he has made quite a lot of the limited range he was blessed with. Come to think of it, that would describe quite a few of my favourite artists, from Leonard Cohen to Richard Thompson to Ry Cooder. I think they all have limited ranges as vocalists but make it work, spectacularly so in the case of Cohen, I would say.

I do a good enough impersonation of Paul singing that I should sit down one day and do a cover of Suzanne in his voice.

I assumed you meant this gem and was confused:

I actually really like Weezer, but god dammit, Hoy.

[XRCF]

Not sure if any of you already knew this but,
The White man music video from the don letts melody (or atleast the live footage)
is taken from
7th November 1977, Birmingham, Top Rank

vlcsnap-2023-08-26-22h06m12s838.png

photos ebay.PNG

[Kory]

Last interaction with our future overlords:

What do Paul Simonons vocals sound like?
ChatGPT
Paul Simonon's vocals are characterized by a distinctive raspy quality that adds a raw and emotive element to his singing. His voice has a rugged and gritty texture that fits well with the punk and rock genres that The Clash were known for. While not traditionally known as a lead vocalist, Simonon's occasional lead vocal performances brought a unique flavor to The Clash's songs.

Here are some key characteristics of Paul Simonon's vocals:

Raspy Tone: Simonon's voice has a rough and raspy quality that can evoke a sense of urgency and intensity. This texture gives his vocals a gritty and lived-in quality that aligns with the rebellious spirit of punk music.

Expressive Emotion: Simonon's singing often carries a sense of emotion and conviction. His vocals can convey feelings of anger, frustration, or even vulnerability, depending on the song's context.

Limited Range: While Simonon's vocal range might not be as expansive as some professional singers, his voice has a unique character that works well within The Clash's energetic and passionate music.

Punk Aesthetic: Simonon's vocals align with the DIY ethos of punk music. His singing is more about conveying emotion and attitude rather than adhering to traditional notions of vocal technicality.

Occasional Lead Vocals: Paul Simonon took lead vocal duties on a few songs for The Clash, such as "Guns of Brixton" and "Look Here." These performances showcase his distinct vocal style and offer a contrast to the lead vocals of other band members like Joe Strummer and Mick Jones.

In summary, Paul Simonon's vocals are an integral part of The Clash's sonic identity. His raspy and emotive singing style contributed to the band's raw energy and rebellious attitude, making his occasional lead vocal performances stand out in the band's catalog.

This video may have been written by the same thing.

[Marky Dread]

Last interaction with our future overlords:

What do Paul Simonons vocals sound like?
ChatGPT
Paul Simonon's vocals are characterized by a distinctive raspy quality that adds a raw and emotive element to his singing. His voice has a rugged and gritty texture that fits well with the punk and rock genres that The Clash were known for. While not traditionally known as a lead vocalist, Simonon's occasional lead vocal performances brought a unique flavor to The Clash's songs.

Here are some key characteristics of Paul Simonon's vocals:

Raspy Tone: Simonon's voice has a rough and raspy quality that can evoke a sense of urgency and intensity. This texture gives his vocals a gritty and lived-in quality that aligns with the rebellious spirit of punk music.

Expressive Emotion: Simonon's singing often carries a sense of emotion and conviction. His vocals can convey feelings of anger, frustration, or even vulnerability, depending on the song's context.

Limited Range: While Simonon's vocal range might not be as expansive as some professional singers, his voice has a unique character that works well within The Clash's energetic and passionate music.

Punk Aesthetic: Simonon's vocals align with the DIY ethos of punk music. His singing is more about conveying emotion and attitude rather than adhering to traditional notions of vocal technicality.

Occasional Lead Vocals: Paul Simonon took lead vocal duties on a few songs for The Clash, such as "Guns of Brixton" and "Look Here." These performances showcase his distinct vocal style and offer a contrast to the lead vocals of other band members like Joe Strummer and Mick Jones.

In summary, Paul Simonon's vocals are an integral part of The Clash's sonic identity. His raspy and emotive singing style contributed to the band's raw energy and rebellious attitude, making his occasional lead vocal performances stand out in the band's catalog.

This video may have been written by the same thing.

Raspberry Mick.

[JennyB]

Last interaction with our future overlords:

What do Paul Simonons vocals sound like?
ChatGPT
Paul Simonon's vocals are characterized by a distinctive raspy quality that adds a raw and emotive element to his singing. His voice has a rugged and gritty texture that fits well with the punk and rock genres that The Clash were known for. While not traditionally known as a lead vocalist, Simonon's occasional lead vocal performances brought a unique flavor to The Clash's songs.

Here are some key characteristics of Paul Simonon's vocals:

Raspy Tone: Simonon's voice has a rough and raspy quality that can evoke a sense of urgency and intensity. This texture gives his vocals a gritty and lived-in quality that aligns with the rebellious spirit of punk music.

Expressive Emotion: Simonon's singing often carries a sense of emotion and conviction. His vocals can convey feelings of anger, frustration, or even vulnerability, depending on the song's context.

Limited Range: While Simonon's vocal range might not be as expansive as some professional singers, his voice has a unique character that works well within The Clash's energetic and passionate music.

Punk Aesthetic: Simonon's vocals align with the DIY ethos of punk music. His singing is more about conveying emotion and attitude rather than adhering to traditional notions of vocal technicality.

Occasional Lead Vocals: Paul Simonon took lead vocal duties on a few songs for The Clash, such as "Guns of Brixton" and "Look Here." These performances showcase his distinct vocal style and offer a contrast to the lead vocals of other band members like Joe Strummer and Mick Jones.

In summary, Paul Simonon's vocals are an integral part of The Clash's sonic identity. His raspy and emotive singing style contributed to the band's raw energy and rebellious attitude, making his occasional lead vocal performances stand out in the band's catalog.

This video may have been written by the same thing.

Raspberry Mick.

The Mick you buy at a secondhand store.

[Dr. Medulla]

Last interaction with our future overlords:

What do Paul Simonons vocals sound like?
ChatGPT
Paul Simonon's vocals are characterized by a distinctive raspy quality that adds a raw and emotive element to his singing. His voice has a rugged and gritty texture that fits well with the punk and rock genres that The Clash were known for. While not traditionally known as a lead vocalist, Simonon's occasional lead vocal performances brought a unique flavor to The Clash's songs.

Here are some key characteristics of Paul Simonon's vocals:

Raspy Tone: Simonon's voice has a rough and raspy quality that can evoke a sense of urgency and intensity. This texture gives his vocals a gritty and lived-in quality that aligns with the rebellious spirit of punk music.

Expressive Emotion: Simonon's singing often carries a sense of emotion and conviction. His vocals can convey feelings of anger, frustration, or even vulnerability, depending on the song's context.

Limited Range: While Simonon's vocal range might not be as expansive as some professional singers, his voice has a unique character that works well within The Clash's energetic and passionate music.

Punk Aesthetic: Simonon's vocals align with the DIY ethos of punk music. His singing is more about conveying emotion and attitude rather than adhering to traditional notions of vocal technicality.

Occasional Lead Vocals: Paul Simonon took lead vocal duties on a few songs for The Clash, such as "Guns of Brixton" and "Look Here." These performances showcase his distinct vocal style and offer a contrast to the lead vocals of other band members like Joe Strummer and Mick Jones.

In summary, Paul Simonon's vocals are an integral part of The Clash's sonic identity. His raspy and emotive singing style contributed to the band's raw energy and rebellious attitude, making his occasional lead vocal performances stand out in the band's catalog.

This video may have been written by the same thing.

Raspberry Mick.

The Mick you buy at a secondhand store.

:genuine snortlaugh:

[Marky Dread]

Last interaction with our future overlords:

What do Paul Simonons vocals sound like?
ChatGPT
Paul Simonon's vocals are characterized by a distinctive raspy quality that adds a raw and emotive element to his singing. His voice has a rugged and gritty texture that fits well with the punk and rock genres that The Clash were known for. While not traditionally known as a lead vocalist, Simonon's occasional lead vocal performances brought a unique flavor to The Clash's songs.

Here are some key characteristics of Paul Simonon's vocals:

Raspy Tone: Simonon's voice has a rough and raspy quality that can evoke a sense of urgency and intensity. This texture gives his vocals a gritty and lived-in quality that aligns with the rebellious spirit of punk music.

Expressive Emotion: Simonon's singing often carries a sense of emotion and conviction. His vocals can convey feelings of anger, frustration, or even vulnerability, depending on the song's context.

Limited Range: While Simonon's vocal range might not be as expansive as some professional singers, his voice has a unique character that works well within The Clash's energetic and passionate music.

Punk Aesthetic: Simonon's vocals align with the DIY ethos of punk music. His singing is more about conveying emotion and attitude rather than adhering to traditional notions of vocal technicality.

Occasional Lead Vocals: Paul Simonon took lead vocal duties on a few songs for The Clash, such as "Guns of Brixton" and "Look Here." These performances showcase his distinct vocal style and offer a contrast to the lead vocals of other band members like Joe Strummer and Mick Jones.

In summary, Paul Simonon's vocals are an integral part of The Clash's sonic identity. His raspy and emotive singing style contributed to the band's raw energy and rebellious attitude, making his occasional lead vocal performances stand out in the band's catalog.

This video may have been written by the same thing.

Raspberry Mick.

The Mick you buy at a secondhand store.

Marky sets it up. JB knocks 'em in.

[JennyB]

Last interaction with our future overlords:

What do Paul Simonons vocals sound like?
ChatGPT
Paul Simonon's vocals are characterized by a distinctive raspy quality that adds a raw and emotive element to his singing. His voice has a rugged and gritty texture that fits well with the punk and rock genres that The Clash were known for. While not traditionally known as a lead vocalist, Simonon's occasional lead vocal performances brought a unique flavor to The Clash's songs.

Here are some key characteristics of Paul Simonon's vocals:

Raspy Tone: Simonon's voice has a rough and raspy quality that can evoke a sense of urgency and intensity. This texture gives his vocals a gritty and lived-in quality that aligns with the rebellious spirit of punk music.

Expressive Emotion: Simonon's singing often carries a sense of emotion and conviction. His vocals can convey feelings of anger, frustration, or even vulnerability, depending on the song's context.

Limited Range: While Simonon's vocal range might not be as expansive as some professional singers, his voice has a unique character that works well within The Clash's energetic and passionate music.

Punk Aesthetic: Simonon's vocals align with the DIY ethos of punk music. His singing is more about conveying emotion and attitude rather than adhering to traditional notions of vocal technicality.

Occasional Lead Vocals: Paul Simonon took lead vocal duties on a few songs for The Clash, such as "Guns of Brixton" and "Look Here." These performances showcase his distinct vocal style and offer a contrast to the lead vocals of other band members like Joe Strummer and Mick Jones.

In summary, Paul Simonon's vocals are an integral part of The Clash's sonic identity. His raspy and emotive singing style contributed to the band's raw energy and rebellious attitude, making his occasional lead vocal performances stand out in the band's catalog.

This video may have been written by the same thing.

Raspberry Mick.

The Mick you buy at a secondhand store.

Marky sets it up. JB knocks 'em in.

That was a softball!