Clash Film...

[tepista]

In the David Cronenberg version, Mick slowly transforms into a painful man-guitar hybrid in an icky metaphor for terminal illness.

In the Judd Apatow version, Mick Jones leaves the band after the US Festival, and goes on a long walk, but Joe chases him down and tells him how much their friendship means, then the Clash reforms and makes 30 platinum records.

In the M. Night Shamalan version the Clash was the Jam all along.

The George Lucas version constantly tinkers with Topper's appearance until he's finally replaced with a CGI version that can be successfully marketed as a toy. Also, Joe and Mick are actually brothers and Bernie is their dad.

In the Wes Anderson version the story is pretty accurate, but instead of guitars, the Clash is mostly xylophones and wind chimes.

[Dr. Medulla]

In the David Cronenberg version, Mick slowly transforms into a painful man-guitar hybrid in an icky metaphor for terminal illness.

In the Judd Apatow version, Mick Jones leaves the band after the US Festival, and goes on a long walk, but Joe chases him down and tells him how much their friendship means, then the Clash reforms and makes 30 platinum records.

In the M. Night Shamalan version the Clash was the Jam all along.

The George Lucas version constantly tinkers with Topper's appearance until he's finally replaced with a CGI version that can be successfully marketed as a toy. Also, Joe and Mick are actually brothers and Bernie is their dad.

In the Wes Anderson version the story is pretty accurate, but instead of guitars, the Clash is mostly xylophones and wind chimes.

The Martin Scorcese version changed the setting to New York and, well, fine, the movie was actually about New York.

[henchman]

Hahahahaha.
Actually. I think Scorsese is the only American director who should have been an option.
He knows gritty, and he's a Clash fan.

[tepista]

The Martin Scorcese version changed the setting to New York and, well, fine, the movie was actually about New York.

I like the part when Mick looks in the mirror and says "Should I stay or should I go? I'm the only one here."

[BostonBeaneater]

In the David Cronenberg version, Mick slowly transforms into a painful man-guitar hybrid in an icky metaphor for terminal illness.

In the Judd Apatow version, Mick Jones leaves the band after the US Festival, and goes on a long walk, but Joe chases him down and tells him how much their friendship means, then the Clash reforms and makes 30 platinum records.

In the M. Night Shamalan version the Clash was the Jam all along.

The George Lucas version constantly tinkers with Topper's appearance until he's finally replaced with a CGI version that can be successfully marketed as a toy. Also, Joe and Mick are actually brothers and Bernie is their dad.

In the Wes Anderson version the story is pretty accurate, but instead of guitars, the Clash is mostly xylophones and wind chimes.

The Martin Scorcese version changed the setting to New York and, well, fine, the movie was actually about New York.

The John Waters version replaced Joe with a giant lobster and Paul eats Benies poo off of an amp.

[appleseed1]

Guys, I'm beginning to think maybe this movie wasn't made for huge Clash nerds.

True. I couldn't bear more than a few moments. Those moments were awful and bewildering. I skipped ahead to get a sense of how bad it was, and the part that got me before I had to stop it was seeing that the guy playing Mick was heavyset and had a brown mullet. At that point I had to stop it before I had a stroke.

[Wolter]

In the David Cronenberg version, Mick slowly transforms into a painful man-guitar hybrid in an icky metaphor for terminal illness.

In the Judd Apatow version, Mick Jones leaves the band after the US Festival, and goes on a long walk, but Joe chases him down and tells him how much their friendship means, then the Clash reforms and makes 30 platinum records.

In the M. Night Shamalan version the Clash was the Jam all along.

The George Lucas version constantly tinkers with Topper's appearance until he's finally replaced with a CGI version that can be successfully marketed as a toy. Also, Joe and Mick are actually brothers and Bernie is their dad.

In the Wes Anderson version the story is pretty accurate, but instead of guitars, the Clash is mostly xylophones and wind chimes.

The Martin Scorcese version changed the setting to New York and, well, fine, the movie was actually about New York.

The Coen Brothers version was really good, but the only award it will ever win is Best Original Screenplay

[JennyB]

In the M. Night Shamalan version the Clash was the Jam all along.

The George Lucas version constantly tinkers with Topper's appearance until he's finally replaced with a CGI version that can be successfully marketed as a toy. Also, Joe and Mick are actually brothers and Bernie is their dad.

In the Wes Anderson version the story is pretty accurate, but instead of guitars, the Clash is mostly xylophones and wind chimes.

The Martin Scorcese version changed the setting to New York and, well, fine, the movie was actually about New York.

The John Waters version replaced Joe with a giant lobster and Paul eats Benies poo off of an amp.

Now THAT I would love to see.

Also, i don't know if I have mentioned this, but Jonathan Rhys Meyers is FORTY and playing a 24-year-old.

[BostonBeaneater]

Also, i don't know if I have mentioned this, but Jonathan Rhys Meyers is FORTY and playing a 24-year-old.

But he has the mind of a 24 year old.

[101Walterton]

The George Lucas version constantly tinkers with Topper's appearance until he's finally replaced with a CGI version that can be successfully marketed as a toy. Also, Joe and Mick are actually brothers and Bernie is their dad.

In the Wes Anderson version the story is pretty accurate, but instead of guitars, the Clash is mostly xylophones and wind chimes.

The Martin Scorcese version changed the setting to New York and, well, fine, the movie was actually about New York.

The John Waters version replaced Joe with a giant lobster and Paul eats Benies poo off of an amp.

Now THAT I would love to see.

Also, i don't know if I have mentioned this, but Jonathan Rhys Meyers is FORTY and playing a 24-year-old.

That sounds like Joe to me

[tepista]

i added it to my NF queue

[Marky Dread]

The Martin Scorcese version changed the setting to New York and, well, fine, the movie was actually about New York.

I like the part when Mick looks in the mirror and says "Should I stay or should I go? I'm the only one here."

Gods lonely Mick.