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Her style on all Postmarks records is understated, presumably to suggest a kind of 1960s continental cool.Silent Majority wrote: ↑14 Feb 2018, 8:54pmI want more from the vocal, but that's cool.Dr. Medulla wrote: ↑14 Feb 2018, 8:52pm
This is an example of a cover that sounds like it should be the original and the original a cover (e.g., Wire & R.E.M., "Strange").
Very nice. Kinda takes the song back to the Shangri-La's and other 60's girls bands. I'm sure Joey would approve of that.Dr. Medulla wrote: ↑14 Feb 2018, 9:06pmHer style on all Postmarks records is understated, presumably to suggest a kind of 1960s continental cool.Silent Majority wrote: ↑14 Feb 2018, 8:54pmI want more from the vocal, but that's cool.Dr. Medulla wrote: ↑14 Feb 2018, 8:52pm
This is an example of a cover that sounds like it should be the original and the original a cover (e.g., Wire & R.E.M., "Strange").
I think the more suitable style for it would be super emotional soulful belting, like Darlene Love or Ronnie Spector would do.Dr. Medulla wrote: ↑14 Feb 2018, 9:06pmHer style on all Postmarks records is understated, presumably to suggest a kind of 1960s continental cool.Silent Majority wrote: ↑14 Feb 2018, 8:54pmI want more from the vocal, but that's cool.Dr. Medulla wrote: ↑14 Feb 2018, 8:52pm
This is an example of a cover that sounds like it should be the original and the original a cover (e.g., Wire & R.E.M., "Strange").
Wow, their really fucked this one up. End of the century third worst? Leave Home not #1? Madness.
I kinda wonder if there is now, however unconsciously, an inclination to downgrade any record associated with Phil Spector.Flex wrote: ↑07 Apr 2023, 8:26amWow, their really fucked this one up. End of the century third worst? Leave Home not #1? Madness.
I was just listening to adios amigos and mondo bizarro yesterday. I'd challenge a random person to find a major difference in quality between those albums and most of the rest of the Ramones output.